Bovermann, T., Tünnermann, R., and Hermann, T. (2010). Auditory augmentation. International Journal of Ambient Computing and Intelligence (IJACI), 2(2):27–41.
Books
Foerstel, A. & Egermann, H. (in press). Die DJ-Performance im Club-Kontext – eine Beobachtungsstudie. Jahrbuch Musikpsychologie 2015, Göttingen: Hogrefe.
Hardjowirogo, S. (forthcoming). Medien-Musikinstrumente. In: Großmann, R. (ed.): Musik und Medien. Kompendien Musik, hrsg. im Auftrag der Gesellschaft für Musikforschung.
Bovermann, T., Rohrhuber, J., and de Campo, A. (2011). Laboratory methods for experimental sonification. In Hermann, T., Hunt, A., and Neuhoff, J. G., editors, The Sonification Handbook, pages 1–586. Logos Publishing House, Berlin, Germany.
Conferences
Emerson, G., Foerstel, A., Egermann, H. (2015). Gesture-sound causality from the audience’s perspective: investigating the influence of mapping design on the reception of new digital musical instruments. Tagungsband der Jahrestagung Gesellschaft für Musikpsychologie, Oldenburg, 11-13 September 2015.
Schultz, C. M., Seedorf, M., Foerstel, A., Egermann, H. (2015). Signale – Entwicklung und Evaluation eines Open Source Ensembles elektronischer Musikinstrumente zur Vermittlung elektronischer/elektroakustischer Musik und ihrer technischen Grundlagen. Tagungsband der Jahrestagung Gesellschaft für Musikpsychologie, Oldenburg, 11-13 September 2015.
Foerstel, A. Lehrbach, N. Wende, M., & Egermann, H. (2015). Movement Induction in Electronic Dance Music. Tagungsband der Jahrestagung Gesellschaft für Musikpsychologie, Oldenburg, 11-13 September 2015.
Foerstel, A. & Egermann, H. (2015). Performance Expertise of DJs in the Club-Context. Abstract Book of the 9th Triennial Conference of European Society for the Cognitive Sciences of Music, Manchester, UK, 17-22 August 2015.
Foerstel, A. Lehrbach, N. Wende, M., & Egermann, H. (2015). Swinging to the Beat – Movement Induction in Electronic Dance Music. Proceedings of the 9th Triennial Conference of European Society for the Cognitive Sciences of Music, Manchester, UK, 17-22 August 2015.
Foerstel, A., Hardjowirogo, S.-I., Egermann, H., (2015). The Actions that Make an Instrument. Exploring Club-DJing as an Instrumental Practice. Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR) Music, Mind, and Embodiment, Plymouth, UK, June 2015.
Baalman, M., Bovermann, T., de Campo, A., & Negrão, M. (2014). Modality. In Proceedings of ICMC/SMC, Athens, 2014. National and Kapodistrian University of Athens.
Foerstel, A. & Egermann, H. (2014). Bewegungsmuster von DJs im Club-Kontext. Tagungsband der 13. Jahrestagung der Gesellschaft für Musikpsychologie, Erlangen, Germany, 12.- 14. 9. 2014.
Foerstel, A., Egermann, H., McAdams, S. (2014). The Effects of Continuous Subjective Music Experience Ratings on Physiological and Psychological Measures of Activation and Valence. Proceedings of the 13th International Conference of Music Perception and Cognition 2014, Seoul, Korea.
Lai, C.-H. and Bovermann, T. (2013). Audience experience in sound performance. In Proceedings of the 13th International Conference on New Interfaces for Musical Expression, Daejeon + Seoul, Korea Republic.
Parker, J. and Bovermann, T. (2013). Dynamic FM synthesis using a network of complex resonator filters. In Proceedings of the Sound and Music Computing Conference 2013, pages 668 – 673, Stockholm. KTH Royal Institute of Technology, Sound and Music Computing Group. ISBN 978-91-7501-831-7.